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From Fetish to Subject Race, Modernism, and Primitivism, 1919-1935
Book Code: C7747
ISBN: 0-275-97747-1
ISBN-13: 978-0-275-97747-4
172 pages, figures
Praeger Publishers
Publication: 10/30/2004
List Price: $87.95 (UK Sterling Price: £49.95)
Availability: In Stock
Media Type: Hardcover
Also Available: Ebook
Trim Size: 6 1/8 x 9 1/4
Subjects: Reviews:
  • Questioning the primitivist discourses of the interwar period, Sweeney looks at the mistrust in civilization generated by WW I, a mistrust that allowed a remythologizing of humanity. The black body became the trope of this regeneration, a palliative balm to the exhausted modern West, and the site of "a mixture of erotic savagery and infantile parody." Contrary to common practice, Sweeney situates the emergence of the negritude movement within this trajectory but as a counterprimitivist reasoning by the transatlantic diasporic black presence (Paris noir) rather than as a sui generis phenomenon....Recommended. Upper-division undergraduates and above.
    —Choice
    September 2005
  • In this study, Sweeney analyzes well-known sources using a surfeit of postcolonial discourse theory to find black agency in interwar French thought about race, identity, and colonialism.
    —Journal of Modern History
    June 2007
Description: Was modern primitivism complicit with the ideologies of colonialism, or was it a multivalent encounter with difference? Examining race and modernism through a wider and more historically contextualized study, Sweeney brings together a variety of published and new scholarship to expand the discussion on the links between modernism and primitivism. Tracing the path from Dada and Surrealism to Josephine Baker and Nancy Cunard's Negro: An Anthology, she shows the development of négrophilie from the interest in black cultural forms in the early 1920s to a more serious engagement with difference and representations in the 1930s. Considering modernism, race, and colonialism simultaneously, this work breaks from traditional boundaries of disciplines or geographic areas. Why was the primitive so popular in this era? Sweeney shows how high, popular, and mass cultural contexts constructed primitivism and how black diasporic groups in Paris challenged this construction. Included is research from original archival material from black diasporic publications in Paris, examining their challenges to primitivism in French literature and state-sponsored exoticism. The transatlantic movement of modernism and primitivism also is part of this broad comparative study.
Table of Contents:
  • Acknowledgments
  • List of Illustrations
  • Preface
  • Introduction
  • Constructing the Primitive
  • "I'll say it's getting darker and darker in Paris": Joseph Baker and La Revue Negre
  • Black Woman/Colonial Body
  • "Go to Harlem, it's sharper there": Negro: An Anthology (1934)
  • "A Conceptual Swindle": Surrealism, Race and Anti-Colonialism
  • Diaspora and Resistance: A 'French' Black Atlantic and Counter Primitivism
  • Afterword
  • Bibliography
  • Index
  • Illustrations
  • Fig 1
  • Fig 2
LC Card Number: 2004012290
LCC Class: HT1581
Dewey Class: 305
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