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First Position A Century of Ballet Artists
Foreword by Bruce Marks
Book Code: C8391
ISBN: 0-275-98391-9
ISBN-13: 978-0-275-98391-8
264 pages, photos
Praeger Publishers
Publication: 8/30/2007
List Price: $49.95 (UK Sterling Price: £27.95)
Availability: In Stock
Media Type: Hardcover
Also Available: Ebook
Trim Size: 6 1/8 x 9 1/4
Subjects: Related Web Pages: Reviews:
  • This volume features profiles of 15 dancers from around the world....Each profile blends biography and a discussion of the dancer's style and artistic background, associations with choreographers, composers, directors, and partners, and relationship with the audience. Information was drawn from published and unpublished interviews (some with the author) and source material from dance archives in the US and Europe. Dancers were chosen from Singer's poll of choreographers, teachers, administrators, students, dancers, historians, and writers.
    —Reference & Research Book News
    November 2007
  • In her sketches, Singer discusses each dancer's artistic background, unique style, work with choreographers, among them the great George Balanchine, and her or his critical evaluation. With an excellent context-establishing foreword by Bruce Marks, and ancillary materials, this volume about dance as "an ever-changing art" is an excellent and enjoyable reference for both novices and fans.
    —Booklist
    November 1, 2007
  • Endorsement From Maina Gielgud
    Order of Australia:
    A most interesting behind the scenes look at the commitment of some great personalities who have contributed their lives to classical ballet. It is fascinating to get to know some lesser known aspects of the beginnings of some very well known stars. Despite their diverse backgrounds, they are all clearly united by an unswerving vocation and the total dedication they have given to their art form. This dedication, perhaps unfashionable now, is one without which classical ballet will not survive.
  • Endorsement From Jane Goldberg
    Director, Changing Times Tap Dancing Co., Inc.:
    As someone who is not a balletomane (who hasn't even been taken by ballet), I nevertheless enjoyed reading Toba Singer's writing on some of its renowned international practitioners. I like the way in which Singer places the different players in a political context, since dancers do live in and of their times. She makes ballet vibrant and important, even to a novice like myself.
  • Endorsement From Johnny Eliasen,
    Former Artistic Director, Royal Danish Ballet Company:
    After reading this book with great pleasure, I feel like thanking Toba Singer for giving us an insight into all of these great artists. It pulls back the curtain on their lives. I highly recommend First Position to anyone interested in understanding what it takes to master the difficult art form of ballet.
Description: The dancers profiled in First Position represent the pinnacle of their art over the last century. Author Toba Singer polled literally hundreds of dance critics, dance teachers and professors, and active and retired professional dancers to create a list that represents the best of the various styles of ballet from the last hundred years. The result is a collective biography that introduces the reader to both dancers with household names and those known mostly to ballet aficionados. Profiled dancers include Carlos Acosta, Alicia Alonso, Mikhail Baryshnikov, Erik Bruhn, Lázaro Carreño, Margot Fonteyn, Carla Fracci, Gelsey Kirkland, Li Cunxin, Muriel Maffre, Natalia Makarova, Arthur Mitchell, Rudolf Nureyev, Anna Pavlova, and Maya Plisetskaya. An introductory chapter addresses the audience for this work: ballet fans, professional dancers, aspiring dance students, and those new to ballet. It also touches on the contributions of dancers who, owing to limits of time and space, are not among the selected, but whose influence has nonetheless been lasting. Each of the fifteen chapters begins with a biographical portrait and includes discussions of the dancer's style and artistic background; associations with noted choreographers, composers, artistic directors, and dance partners; relationship with the audience; and critical reception. The author has utilized published and unpublished interviews and source material from dance archives in San Francisco, New York, Havana, and European cities that have served as centers of the ballet world over the last century. Each chapter features photographs and concludes with a list of works performed.
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