The Words and Music of Carole King
James E. Perone
ISBN:
0-275-99027-3
ISBN-13:
978-0-275-99027-5
200 pages
Praeger Publishers
Publication:
10/30/2006
Availability:
In Stock
Media Type:
Hardcover
Trim Size:
6 1/8 x 9 1/4
Subjects:
Description:
No matter how one was introduced to the music of Carole King, this long overdue examination offers her legions of fans the chance to see how her work has developed over time, what it means to other contemporary performers, and what it has meant to American music at large.
Name a Carole King song. Anyone who's been a fan of popular music over the past 45 years should be able to do it with ease. Will You Still Love Me Tomorrow?, Take Good Care Of My Baby, The Locomotion, One Fine Day, Up On The Roof, A Natural Woman, I Feel The Earth Move, Smackwater Jack, It's Too Late, So Far Away, You've Got A Friend. Few writers can claim such a formidable catalogue. Fewer still can with justice claim to have spoken for a generation.
After collaborating with Paul Simon in high school, and composing hits for The Shirelles, Aretha Franklin, The Monkees, Blood, Sweat and Tears, and other artists throughout the 1960s, Carole King launched herself into the spotlight with the 1971 album Tapestry. Tapestry sold over 22 million copies, and was one of the most important feminist statements of the day, not just because of the words or music, but because King had almost total control over her product. Carole King has continued composing and performing breakthrough work since Tapestry, though over the past fifteen years audiences are more likely to have heard her music in films such as One True Thing, You've Got Mail, and A League of Their Own.
In 1988, the National Academy of Songwriters presented King and her one-time husband and collaborator Gerry Goffin with the Lifetime Achievement Award. Goffin and King were inducted into the Rock and Roll Hall of Fame as non-performers in 1990. Carole King was inducted into the Songwriters Hall of Fame in 1986. Although Tapestry still stands as King's masterpiece, she recorded many other albums, including Fantasy, Colour of Your Dreams, City Streets, Pearls, Wrap Around Joy, Touch the Sky, Simple Things, Thoroughbred, Love Makes the World, Welcome Home, and Really Rosie. All of these are discussed in the course of this volume, as are songs covered and performed by other artists.
About the Author:
James E. Perone is Chair of the Music Department and Professor of Music at Mount Union College in Alliance, Ohio. He is the author of over a dozen books, including Woodstock: An Encyclopedia of the Music and Art Fair (2005), Music of the Counterculture Era (2004), and The Sound of Stevie Wonder: His Words and Music (2006). He is also the series editor of The Praeger Singer-Songwriter Collection.
www.praeger.com/catalog/C9027.aspx
