|
|
Publication
|
|
Art, Glitter, and Glitz
|
10/30/2004
|
|
Zoe Akins
|
7/30/2004
|
|
Oscar Asche, Orientalism, and British Musical Comedy
|
7/30/2004
|
|
Sophocles and the Tragedy of Athenian Democracy
|
3/30/2004
|
|
Rupture, Representation, and the Refashioning of Identity in Drama from the North of Ireland, 1969-1994
|
12/30/2003
|
|
Clifford Odets and American Political Theatre
|
10/30/2003
|
|
Michel Saint-Denis and the Shaping of the Modern Actor
|
9/30/2003
|
|
Audience Participation
|
8/30/2003
|
|
Experimenters, Rebels, and Disparate Voices
|
8/30/2003
|
|
Technology in American Drama, 1920-1950
|
3/30/2003
|
|
Synge and Irish Nationalism
|
10/30/2002
|
|
The Best Actors in the World
|
7/30/2002
|
|
Fathers and Daughters in Shakespeare and Shaw
|
4/30/2001
|
|
Shakespeare's Unorthodox Biography
|
10/30/2000
|
|
The Glamour of Grammar
|
9/30/2000
|
|
Actor as Anti-Character
|
6/30/2000
|
|
Documentary Theatre in the United States
|
6/30/1999
|
|
Dramatists and the Bomb
|
5/30/1999
|
|
Reinventing Drama
|
4/30/1999
|
|
Gower Champion
|
3/30/1999
|
|
Thatcher's Theatre
|
3/30/1999
|
|
Rethinking Folk Drama
|
2/28/1999
|
|
Shakespearean Intertextuality
|
11/30/1998
|
|
Voltaire and the Theatre of the Eighteenth Century
|
10/30/1998
|
|
Tony Pastor Presents
|
9/30/1998
|
|
Yiddish Proletarian Theatre
|
8/30/1998
|
|
The Contemporary British History Play
|
6/30/1998
|
|
The Theatre Team
|
1/30/1998
|
|
Homosexualities in the English Theatre
|
11/30/1997
|
|
Ibsen and Early Modernist Theatre, 1890-1900
|
9/30/1997
|
|
Harold Pinter and the New British Theatre
|
9/30/1997
|
|
Sam Shepard and the American Theatre
|
8/30/1997
|
|
Assessing the Achievement of J. M. Synge
|
11/30/1996
|
|
David Hare
|
11/30/1996
|
|
Comedy in the Weimar Republic
|
10/30/1996
|
|
American Labor on Stage
|
9/30/1996
|
|
The Dramatic Art of David Storey
|
8/30/1996
|
|
Jekyll and Hyde Adapted
|
7/30/1996
|
|
Maria Irene Fornes and Her Critics
|
6/30/1996
|
|
Shadows of Realism
|
4/30/1996
|
|
The Stage Clown in Shakespeare's Theatre
|
4/30/1996
|
|
Fredric March
|
4/30/1996
|
|
A History of Polish Theater, 1939-1989
|
2/28/1996
|
|
Theatre, Opera, and Audiences in Revolutionary Paris
|
2/28/1996
|
|
Menander and the Making of Comedy
|
2/28/1996
|
|
Christopher Marlowe and the Renaissance of Tragedy
|
11/30/1995
|
|
"Vast Encyclopedia"
|
10/30/1995
|
|
Greek Tragedy on the American Stage
|
5/30/1995
|
|
Playwrights and Acting
|
12/30/1994
|
|
Where the Words Are Valid
|
12/30/1994
|
|
Jung's Advice to the Players
|
9/30/1994
|
|
Israel Horovitz
|
9/30/1994
|
|
Playwright versus Director
|
8/30/1994
|
|
George Bernard Shaw and the Socialist Theatre
|
7/30/1994
|
|
The Actor Speaks
|
3/30/1994
|
|
Richard Wagner and Festival Theatre
|
3/30/1994
|
|
The Dawning of American Drama
|
9/30/1993
|
|
Challenging the Hierarchy
|
12/30/1992
|
|
Confronting Tennessee Williams's A Streetcar Named Desire
|
11/30/1992
|
|
George Sand's Gabriel
|
7/30/1992
|
|
Toward an Aesthetics of the Puppet
|
6/30/1992
|
|
The Simple Stage
|
6/30/1992
|
|
The Gymnasium of the Imagination
|
5/30/1992
|
|
Richard's Himself Again
|
4/30/1992
|
|
Eugene O'Neill in China
|
3/30/1992
|
|
A Search for a Postmodern Theater
|
12/30/1991
|
|
Strategies of Drama
|
11/30/1991
|
|
The Age of Hair
|
11/30/1991
|
|
Radical Stages
|
10/30/1991
|
|
From Stanislavsky to Barrault
|
4/30/1991
|
|
Eugene O'Neill's Century
|
4/30/1991
|
|
From Class to Caste in American Drama
|
3/30/1991
|
|
On Playing Shakespeare
|
3/30/1991
|
|
A Laboratory of Impure Forms
|
3/30/1991
|
|
From Belasco to Brook
|
2/28/1991
|
|
Orson Welles on Shakespeare
|
12/30/1990
|
|
Broadway Talks
|
11/9/1990
|
|
Divine Madness and the Absurd Paradox
|
5/23/1990
|
|
Spotlight on the Child
|
1/20/1989
|
|
Beyond Naturalism
|
11/15/1988
|
|
The Critics' Canon
|
10/19/1988
|
|
Eugene O'Neill in Ireland
|
6/22/1988
|
|
Carlo Gozzi
|
3/22/1988
|
|
The Letters and Notebooks of Mary Devlin Booth
|
6/18/1987
|
|
Sam Shepard's Metaphorical Stages
|
1/13/1987
|
|
Ten Seasons
|
10/16/1986
|
|
Prophet of the New Drama
|
2/21/1986
|
|
The Theatre of Meyerhold and Brecht.
|
12/17/1985
|
|
Is the Theatre Still Dying?
|
12/11/1985
|
|
America's Musical Stage
|
12/6/1985
|
|
Theatre for Working-Class Audiences in the United States, 1830-1980
|
11/14/1985
|
|
From Farce to Metadrama
|
9/26/1985
|
|
Hamlet on Stage
|
9/20/1985
|
|
German Actors of the Eighteenth and Nineteenth Centuries
|
5/21/1985
|
|
William Archer on Ibsen
|
10/3/1984
|
|
A Whirlwind in Dublin
|
7/24/1984
|
|
Garrick Claims the Stage
|
6/19/1984
|
|
Musical Theatre in America
|
4/23/1984
|
|
Serf Actor
|
2/23/1984
|
|
Bernhardt and the Theatre of Her Time
|
2/10/1984
|
|
Revolution in the Theatre
|
12/28/1983
|
|
Theatrical Touring and Founding in North America
|
10/25/1982
|
|
Gordon Craig's Moscow Hamlet
|
9/28/1982
|
|
Greek Theatre Practice.
|
8/14/1980
|
|
George Frederick Cooke
|
3/25/1980
|
|
American Popular Entertainment
|
10/9/1979
|