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Title Publication
Art, Glitter, and Glitz 10/30/2004
Zoe Akins 7/30/2004
Oscar Asche, Orientalism, and British Musical Comedy 7/30/2004
Sophocles and the Tragedy of Athenian Democracy 3/30/2004
Rupture, Representation, and the Refashioning of Identity in Drama from the North of Ireland, 1969-1994 12/30/2003
Clifford Odets and American Political Theatre 10/30/2003
Michel Saint-Denis and the Shaping of the Modern Actor 9/30/2003
Audience Participation 8/30/2003
Experimenters, Rebels, and Disparate Voices 8/30/2003
Technology in American Drama, 1920-1950 3/30/2003
Synge and Irish Nationalism 10/30/2002
The Best Actors in the World 7/30/2002
Fathers and Daughters in Shakespeare and Shaw 4/30/2001
Shakespeare's Unorthodox Biography 10/30/2000
The Glamour of Grammar 9/30/2000
Actor as Anti-Character 6/30/2000
Documentary Theatre in the United States 6/30/1999
Dramatists and the Bomb 5/30/1999
Reinventing Drama 4/30/1999
Gower Champion 3/30/1999
Thatcher's Theatre 3/30/1999
Rethinking Folk Drama 2/28/1999
Shakespearean Intertextuality 11/30/1998
Voltaire and the Theatre of the Eighteenth Century 10/30/1998
Tony Pastor Presents 9/30/1998
Yiddish Proletarian Theatre 8/30/1998
The Contemporary British History Play 6/30/1998
The Theatre Team 1/30/1998
Homosexualities in the English Theatre 11/30/1997
Ibsen and Early Modernist Theatre, 1890-1900 9/30/1997
Harold Pinter and the New British Theatre 9/30/1997
Sam Shepard and the American Theatre 8/30/1997
Assessing the Achievement of J. M. Synge 11/30/1996
David Hare 11/30/1996
Comedy in the Weimar Republic 10/30/1996
American Labor on Stage 9/30/1996
The Dramatic Art of David Storey 8/30/1996
Jekyll and Hyde Adapted 7/30/1996
Maria Irene Fornes and Her Critics 6/30/1996
Shadows of Realism 4/30/1996
The Stage Clown in Shakespeare's Theatre 4/30/1996
Fredric March 4/30/1996
A History of Polish Theater, 1939-1989 2/28/1996
Theatre, Opera, and Audiences in Revolutionary Paris 2/28/1996
Menander and the Making of Comedy 2/28/1996
Christopher Marlowe and the Renaissance of Tragedy 11/30/1995
"Vast Encyclopedia" 10/30/1995
Greek Tragedy on the American Stage 5/30/1995
Playwrights and Acting 12/30/1994
Where the Words Are Valid 12/30/1994
Jung's Advice to the Players 9/30/1994
Israel Horovitz 9/30/1994
Playwright versus Director 8/30/1994
George Bernard Shaw and the Socialist Theatre 7/30/1994
The Actor Speaks 3/30/1994
Richard Wagner and Festival Theatre 3/30/1994
The Dawning of American Drama 9/30/1993
Challenging the Hierarchy 12/30/1992
Confronting Tennessee Williams's A Streetcar Named Desire 11/30/1992
George Sand's Gabriel 7/30/1992
Toward an Aesthetics of the Puppet 6/30/1992
The Simple Stage 6/30/1992
The Gymnasium of the Imagination 5/30/1992
Richard's Himself Again 4/30/1992
Eugene O'Neill in China 3/30/1992
A Search for a Postmodern Theater 12/30/1991
Strategies of Drama 11/30/1991
The Age of Hair 11/30/1991
Radical Stages 10/30/1991
From Stanislavsky to Barrault 4/30/1991
Eugene O'Neill's Century 4/30/1991
From Class to Caste in American Drama 3/30/1991
On Playing Shakespeare 3/30/1991
A Laboratory of Impure Forms 3/30/1991
From Belasco to Brook 2/28/1991
Orson Welles on Shakespeare 12/30/1990
Broadway Talks 11/9/1990
Divine Madness and the Absurd Paradox 5/23/1990
Spotlight on the Child 1/20/1989
Beyond Naturalism 11/15/1988
The Critics' Canon 10/19/1988
Eugene O'Neill in Ireland 6/22/1988
Carlo Gozzi 3/22/1988
The Letters and Notebooks of Mary Devlin Booth 6/18/1987
Sam Shepard's Metaphorical Stages 1/13/1987
Ten Seasons 10/16/1986
Prophet of the New Drama 2/21/1986
The Theatre of Meyerhold and Brecht. 12/17/1985
Is the Theatre Still Dying? 12/11/1985
America's Musical Stage 12/6/1985
Theatre for Working-Class Audiences in the United States, 1830-1980 11/14/1985
From Farce to Metadrama 9/26/1985
Hamlet on Stage 9/20/1985
German Actors of the Eighteenth and Nineteenth Centuries 5/21/1985
William Archer on Ibsen 10/3/1984
A Whirlwind in Dublin 7/24/1984
Garrick Claims the Stage 6/19/1984
Musical Theatre in America 4/23/1984
Serf Actor 2/23/1984
Bernhardt and the Theatre of Her Time 2/10/1984
Revolution in the Theatre 12/28/1983
Theatrical Touring and Founding in North America 10/25/1982
Gordon Craig's Moscow Hamlet 9/28/1982
Greek Theatre Practice. 8/14/1980
George Frederick Cooke 3/25/1980
American Popular Entertainment 10/9/1979
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